New FILM-PHILOSOPHY on Phenomenology and Psychoanalysis (Herzog, Solondz, Cronenberg, Streitfeld, Eisenstein, Antonioni, Tarkovsky, Zhang Yimou, Forgács)

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Frame grab from Stalker ( Andrei Tarkovsky , 1979). Read Adrian Ivakhiv's essay on this film in the latest issue of Film Philosophy An...

‘Daddy’s dead. Noooo!’: Quentin Tarantino and Psychoanalysis Beyond the Paternal principle

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 Image from Death Proof ( Quentin Tarantino , 2007) Today, Film Studies For Free brings you links to audio recordings from a symposium on ...

Study of a Single Film: Alfred Hitchcock's Vertigo

  Finding Equilibrium in Hitchcock's Vertigo   Roundtable discussion at the Philoctetes Center , New York, on November 6, 2010, with Ric...

Split Screen Studies

The above is a FILMANALYTICAL , REQUIEM // 102 and FILM STUDIES FOR FREE video essay by Catherine Grant . It explores the use of split sc...

Mapping the Lost Highway: New Perspectives on David Lynch (TATE Modern Event)

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Image from Mulholland Drive ( David Lynch , 2001) Film Studies For Free has taken the trouble to gather together in one (hopefully) very e...

Wide Screen Journal: on film analysis, film and history, Scorsese, Altman, Panahi, and much more

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An image of Lily Tomlin as Linnea Reese in Nashville ( Robert Altman , 1975). Read Chris Louis Durham's new article on this film Fi...

In-between-isms: Winnicottian film, media, and cultural studies

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' As the first credit [of Michael Haneke 's 1989 film Der Siebente Kontinent/ The Seventh Continent ] rolls, the view shifts to the ...

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