On 'Affect' and 'Emotion' in Film and Media Studies

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Image from Unforgiven ( Clint Eastwood , 1992), a film explored by Tim Groves in 'Cinema/Affect/Writing' Emotion is a phenomenon t...

New FILM-PHILOSOPHY on Phenomenology and Psychoanalysis (Herzog, Solondz, Cronenberg, Streitfeld, Eisenstein, Antonioni, Tarkovsky, Zhang Yimou, Forgács)

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Frame grab from Stalker ( Andrei Tarkovsky , 1979). Read Adrian Ivakhiv's essay on this film in the latest issue of Film Philosophy An...

‘Daddy’s dead. Noooo!’: Quentin Tarantino and Psychoanalysis Beyond the Paternal principle

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 Image from Death Proof ( Quentin Tarantino , 2007) Today, Film Studies For Free brings you links to audio recordings from a symposium on ...

Split Screen Studies

The above is a FILMANALYTICAL , REQUIEM // 102 and FILM STUDIES FOR FREE video essay by Catherine Grant . It explores the use of split sc...

Mapping the Lost Highway: New Perspectives on David Lynch (TATE Modern Event)

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Image from Mulholland Drive ( David Lynch , 2001) Film Studies For Free has taken the trouble to gather together in one (hopefully) very e...

A monstrous talent: Blue Velvet Studies in Memory of Dennis Hopper

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R.I.P. Dennis Hopper, 1936 - 2010 "Why are there people like Frank ?" "A truly Bad Bad Guy is not believable and impossible t...

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